Box Office Report: 'Yamla Pagla Deewana' vs 'No One Killed Jessica', good going!: January chill hasn’t stopped the cine-goers from stepping out and enjoying the movies. The only condition is that the movie has to be good. If Yamla Pagla Deewana is doing extremely well in the northern belt, Bollywood lovers are having good time watching the past releases No One Killed Jessica and even Band Baaja Baaraat. After making a heady start, Yamla Pagla Deewana fared phenomenally, especially on single screens. As per reports, the weekend business is above expectations with a figure of approximately Rs 22 crore. The movie is doing extremely well in North India but its business in Maharashtra and South India is not up to the mark.
On the other hand, No One Killed Jessica is doing good business at the multiplexes. The movie had a satisfactory second weekend collection of around Rs 19.50 crore. The collections on the weekdays were reported to be rock-steady. It stands a chance of crossing the Rs 30 crore mark.
Now let’s move to Band Baaja Baaraat - the movie continues its dream run at the box office. In its fifth week, it overtook Tees Maar Khan which is running in its third week. The fifth week collection of Band Baaja Baaraat is around Rs 1.50 crore while Tees Maar Khan collected approx Rs 1.15 crore in its third week.
This Friday, be ready to visit Dhobi Ghat as Aamir Khan and Kiran Rao bring to you a simple, sensitive, stirring movie.
Box Office Report: good opening of 'Yamla Pagla Deewana': It was a forgone conclusion that Yamla Pagla Deewana, featuring the trinity of true-blue Punjabis -- Dharmendra, Sunny Deol and Bobby Deol -- would set new records at theatres in Punjab. Little surprise then that the film opened to an exceptionally good response at theatres in the north Indian state. Even in New Delhi, which has a large Punjabi population, YPD attracted a lot of footfalls to single screen theatres.
The movie, however, saw an average opening in Mumbai, particularly at multiplexes, with just about 40 percent occupancy. Single screen theatres still had a better response. The south belt too did not lap the movie as enthusiastically as the north.
Yet, YPD is expected to have a decent first weekend and if it picks up in Mumbai, might even go on to be a hit.
On the other hand, there were few takers for Turning 30, starring Gul Panag and Purab Kohli. The film opened to an average response of 20-30 percent at multiplexes. Since the film is mostly in English, it’s aimed at multiplex audiences only.
'Yamla Pagla Deewana' Movie Review: When the Deols come together in a film that spoofs the best of their cinematic work, expect an unfettered celebration of dum, daru, dileri and a lot of dhamaal thrown in to boot. Hand pumps are not uprooted, nor maudlin suicide speeches actually given from atop water tanks. But there are moments of self-spoofs aplenty that bring a somewhat cracked grin to your lips. Director Samir Karnik’s Yamla Pagla Deewana is a film that, if made with restraint and a lot of editing, might have been a laugh riot. As it is, it is an overlong, tiresome watch, with the Garam Dharam taking the back seat and the young gun Bobby Deol leading the show.
Bobby Deol? Now, what’s one memorable moment from him that can be spoofed with us not failing to notice the gag? Big Brother Sunny Deol has had his ‘dhai kilo ka haath’ and ‘tareekh pe tareekh’. Papa Dharmendra has had his desi daru guzzling sher who pummels the opponents like they were mosquitoes. But...dear me!...Bobby? May be the waxed chest pansy from Dostana. Eh?
So it’s tragic that most of YPD hinges on an actor who yet has to give one memorable cinematic moment, while Sunny, who comes up with the best performance of the trio, is relegated to being a second fiddle, flexing muscles and helping the young bro in love.
Dharam Singh (Dharmendra) and Gajodhar Singh (Bobby Deol) are two con men in Banaras. Paramveer (Sunny Deol) is an NRI from Canada who comes to Banaras to find his long lost brother and father, the aforementioned swindlers. Together the trio make quite a team - Dharam and Gajodhar going about their con games with an added muscle power from the whisky guzzler of a Jat from Canada.
And then, Gajodhar falls in love with a Punjabi kudi (Kulraj Randhawa) who has an overprotective trigger-happy brother (Anupam Kher) with an alarming temper. The bullet or the babe? Gajodhar is in a fix when Param comes to the rescue. The action shifts to Punjab with the scenic backdrop of sarson ke khet followed by a lot of girl-and-her-brother wooing leading to a Dilwale Dulhaniya Le Jayenge style wedding drama spiced with a lot of confusion and free-flowing slaps!
It’s an unabashed celebration of everything Punjabi and you’d be a twit to expect some refined humour here. Crass jokes fly thick and fast. Some work, many don’t. But when you see the three Deols grooving to Dharmendra’s signature dance from the ‘Main Jat Yamla Pagla Deewana’ song from the 1975 comedy Pratigya, some of your money is sure vasool-ed.
'Yamla Pagla Deewana' Preview - Deol family in an action: The three Deols of the industry, namely Dharmendra, Sunny Deol and Bobby Deol, team up once again for director Samir Karnik’s film Yamla Pagla Deewana.
The film begins in Canada, travels to Banaras and eventually makes its way to Punjab. The father-son duo of Dharam Singh and Gajodhar Singh (Dharmendra and Bobby Deol) are the biggest con-men in Banaras. Their happy-go-lucky existence involves drinking and pulling off hilarious cons on unsuspecting people. The only hitch in their perfect albeit notorious life arrives in the form of Paramveer Singh Dhillon (Sunny Deol).
A brawny and honest NRI from Vancover, Paramveer lands up in Banaras claiming to be Gajodhar's elder brother separated at childhood. The duo willingly accepts Paramveer into their fold only to exploit his muscle power to serve their con games.
Meanwhile Gajodhar falls in love with Saheba (Kulraj Randhawa), a beautiful Sardarni from Punjab. As their romance reaches its peak, her brothers arrive and forcibly take her away. Paramveer saves the day with a crazy plan to win the girl back for Gajodhar which leads them to the rustic heartlands of Punjab.
What follows is a rollercoaster ride showcasing the great Indian joint family, eccentric relatives, marriage mayhem, and a classic case of mistaken identities!