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Now feel the difference of love.
Checkout here the latest Jism 2 title song:
Checkout here the teaser video song from the movie Jism 2.
The movie, starring Lara Dutta and Vinay Pathak, will have a late version of the prevalent song from the late actor-director Feroz Khan's film Qurbani. The initial song emphasized Zeenat Aman, the siren of the 80s.
Now, Yana Gupta attempts to copy Zeenat's exotic nature in the remixed form of the song in Chalo Dilli. The song has Yana in a late makeover, meshed hair and all. An extraordinary set with colourful props and colorful lights was made by Teddy Maurya for the song.
Ensemble of bankable A-list actors, grandeur of exotic foreign locations, crazy slapstick comedy and to spice it all, it has Pritam's peppy music to make everything notable in days to come.
In Bazmee's flicks music has always been mechanical or situational but still have grounded screenplay to its fullest potential. THANK YOU opens to minimal musical expectations but all the above mentioned features makes it as one of most anticipated musical releases. Can this THANK YOU be another WELCOME surprise for listeners?
Just check this out... It all started off with rehashed version of 'Apni toh jaise taise' ((HOUSEFULL (2010)), a racy 70's dancing track that stole limelight and was instant big surprise chartbusting hit. What is following next is 'Pyar Do Pyar Lo', a sensational 80' disco cabaret hit from Feroze Khan's JAANBAAZ with similar blazing nasal twang of Mika Singh. This soundtrack is amusing 'club-remix' style of disco-tadka with initial similar punch-lines but with hilariously bawdy 'antaras' to create frolicsome feel for varied comical situations. Pritam delivers an above-average funky number that has archetypical 80's disco feel number that should be fuelling out humor quotient. Mika Singh's vocals works perfectly again and so do its chirpy lyrics, it will really be enterprising to see how it works on big screen. 'Pyar Do Pyar Lo (remix)' by Abhijit Vaghani works and it's because it's a quintessentially disco number and added disco-beat fillers zing adds to the zealous dancing feast. It works for its formulaic massy feel and if 'magic' works well in slick choreographic moves or 'tongue-in-cheek' humor then do expect this number to be next big thing on the musical charts.
'Munni', 'Sheila' and now its 'Razia' to create ruckus on floor! Following the guidelines of raunchy 'item-songs' with garish rustic feel, Pritam tries to create decorum with situational sounding 'Razia'. This one comes with more narrative moves and in duet mode with yelling tones of Master Saleem and Ritu Pathak's, varying high and loud. Massy feel galore again in Ritu Pathak's loud-throated voice, it will be again a visual feast type of dancing track that should up all catalyzing commercial prospects by attracting front-benchers. Ashish Pandit's earthen feel lyrics may not be as tangy as one expects but works instinctively with the 'crowd-pleasing' mood of the song. Abhijit Vaghani's DJ antics delivers out another hip-shaking feast in 'Razia (Remix)' with infused African tribal sounds, beat-juggles, electronic fillers and DJ spins, giving it a true disco feel. Bombay Viking magic is back!
Neeraj Sridhar's Indi-Pop days gets a major boost as this time he gets a chance to rejuvenate golden bygone eras of Bollywood with trendy-feel orchestrations in 'Full Volume'. Pritam tries to give this a 'Zor Ka Jhatka' (ACTION REPLAYY) discotheque feel in Richa Sharma's nasal twang with Hard Kaur's emceeing doing extra bit to give it thriving zest. Neeraj Sridhar's enthused singing is the biggest highlight and it gets a strong support of upbeat hip-hop jives, crazy chorals and infectious drumming at intermittent phases, giving it a cheerful outlook. It's effervescently peppy entertainment on ears; its scintillating 'on-screen' display will be adding more colors to this 'livewire' feel song, thanks to Pritam's funky tones and Neeraj's lively singing that makes it happen. 'Full Volume (remix)' is peculiar 'dhol' beat drumming 'club-remix' attribute by Harry Anand that comes with slow-tempo mixing well with voices, chorals with amiable crazy sounds and rhythms, giving it extra hilarious cum amusing tones. A well crafted promotion for this song is highly anticipated!!!
In one of the film awards function, director Sajid Khan mimicked Shabbir Kumar's style of singing and it suddenly transformed into singer's comeback through 'I don't know what you do' in HOUSEFULL (2010). This time it's the specialist Sonu Nigam, also famous for his mimicry singing, behind the mike in mimicking out Shabbir Kumar in 'My Heart is beating'. It's nowhere inspirational to 70's Priti Sagar's sweetly toned track 'My Heart is beating' (JULIE (1970)) but a retro feel route to 60's music. Pritam's composition is huge inspirational lift from 60's Mohammad Rafi hits, preferably from vintage romantic tinge of Shashi Kapoor and Shammi Kapoor evergreen numbers. Like spunky caricatured 'I don't know what you do', it too carries 'teasing-pleasing' musical flair to flare up humor-quotient in the flick. Kumaar's wordings are optimally amusing and gel well with nonsensical comical feel, a witty slapstick hilarious move will carry it to higher limits. 'My Heart is beating (remix)' comes like a vociferous title track with deliriously snazzy 'club-remix' touches, mixing well with the composition. This version is presumed to be tailor made for the ending or beginning titles and should be favorites among film promos and teasers. Finally some serious music that talks melody!
The last attribute of the album comes out in form of 'Pyar Mein', a tenderly paced ballad with strong infectious Spanish flamengo feel. Javed Ali along with Neeraj Sridhar soothes this out in nimble tones, where arrangements belong to Enrique Iglesias style of music with peculiar Spanish guitar riffs, delivering out a somber mushy appeal. The breeziness in intrinsically Spanish musical appeal delivers out spells of romantic mushiness that works out progressively with likable voices. 'Pyar Mein' may not be as sporadically catchy as Pritam's earlier ballads were, but this has creative finesse of chartering out new genre with some quality works.
THANK YOU is reasonably enjoyable massy album that entertains and enthralls. The album may not be the finest from Pritam in recent times but has delivered bountiful of amusing numbers in the form of 'Pyar Do Pyar Lo', 'Razia', and 'Full Volume'. It will be really engaging to see all the stars dancing to its bombastically punched tunes and if things works on big silver screen, then do expect a couple of soundtracks making it big on the charts.
At here watch a Theatrical Movie Trailer of Akshay Kumar and Sonam Kapoor's 'Thank You'.
Online watch 'Pyaar Do Pyaar Lo' Thank You movie song promo:
Taking the cue, Katrina has consented to sing a song in the upcoming Yashraj film Mere Brother Ki Dulhan, we hear. Kat was not initially gung-ho about singing for the film, but it was her co-star Ali Zafar, the Pakistani singer, who convinced her to try out singing.
Ali himself has sung three songs in the film, and Kat, reports say, has sung one. The music of the film is composed by Suhail Sen.
Mere Brother Ki Dulhan has Katrina paired with Imran Khan. The film is slated to release later this year.
Pics- Tushar Kapoor at 'Tumko Dekha' hindi album releasing party: Bollywood actor Tushar Kapoor and actress Geeta Basra pose with French singer Anabelle Varma at a release party for her 'romantic music' hindi Album 'Tumko Dekha' in Mumbai late February 14, 2011.
'Tumko Dekha' hindi album releasing party
'Dil Ki Zubaan' Music Album Launch Photos: Raghav Sachar, Amita Pathak launch 'Dil Ki Zubaan' Music Album.
'Dil Ki Zubaan' Music Album Launch Photos
Tanu Weds Manu Music Review: No big names, no big production house, and this is also not a big budget project but has two natural actors, a new director, and, can we now say, an incredibly talented new music director. Tanu Weds Manu starring Kangana Ranaut and Madhavan may not be riding high on buzz, but the promos and the movie’s look has done the trick. People like the promos of the film that features the hit song Sadi Gali.
The music of Tanu Weds Manu is by newcomer Krsna and lyrics have been penned by Rajshekhar.
Lehember Hussainpuri’s Sadi Gali gives the album a storming start. This hit Punjabi pop song composed by RDB finds the first place in the album for its spunk and wedding mood. As Tanu Weds Manu revolves around a marriage, this song just fits in and is also the most apt number to promote the film.
Mohit Chauhan gets to belt out the romantic Yun Hi. This song will leave an impression in your mind because of its melody which is not diluted with the heavy use of instruments. The song has quasi-ghazal feel and can remind you of some of the hit soft numbers of the 80s. As for Mohit, the silvery voiced singer continues to get our rah-rah.
Sometimes we just ignore the rich folk culture of music in India; only when a film brings out the folksy tunes that we notice and feel wow. Rangrez, influenced by Rajasthani folk, wins you over with its earthy flavour. It’s a passionate rendition by Krsna, who has got strong vocals.
There is another version of the song Hey Rangrez Mere by none other than Wadali Brothers (Puranchand Wadali & Pyarelal Wadali). The song instantly grabs your attention because of the Sufi duo Wadali Brothers and like always they have delivered a power packed song with their brilliant vocals. A treat for the music aficionados!
The album adds another folksy gem with Piya crooned by Roop Kumar Rathod. This tender song floors us with Roop’s dramatic mix of amazing voice which gives the song a distinct romantic mood.
Now starts the battle between Kanpur and Delhi with Manu Bhaiya. The commonplace lyrics are almost graphic; you can go from Karol Bagh to Qutub Minar within seconds. The song is addictive because of its easy, rustic feel. If Sunidhi Chauhan gets to sing the entire song, the chorus has got the singers Ujjaini, Rakhi Chand, Vivek Naik, Manjeera and Niladri Debnath. Masses can easily relate to this track and that’s what makes it a winner in the album.
Mika makes us forget everything and sing the crackling number Jugni with him. Lyrics of the song in praise of a bold lassie are noteworthy, and make the song a fun to hear. To get into the groove listen to the song. Jugni naughty hai!
Tanu Weds Manu is not like the other Bollywood albums we get to hear now and then. The treatment of the film is different though it’s a masala comedy with cheerful faces and funny dialogues. The songs do full justice to the marriage and masti theme of the movie. There is nothing superfluous about the songs, they lack mush and don’t sound stiflingly romantic. But the diverse range of tracks has one similarity; all are earthy in feel and thus are very endearing.
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| Tanu Weds Manu Wallpapers |
Lehember Hussainpuri’s Sadi Gali gives the album a storming start. This hit Punjabi pop song composed by RDB finds the first place in the album for its spunk and wedding mood. As Tanu Weds Manu revolves around a marriage, this song just fits in and is also the most apt number to promote the film.
Mohit Chauhan gets to belt out the romantic Yun Hi. This song will leave an impression in your mind because of its melody which is not diluted with the heavy use of instruments. The song has quasi-ghazal feel and can remind you of some of the hit soft numbers of the 80s. As for Mohit, the silvery voiced singer continues to get our rah-rah.
Sometimes we just ignore the rich folk culture of music in India; only when a film brings out the folksy tunes that we notice and feel wow. Rangrez, influenced by Rajasthani folk, wins you over with its earthy flavour. It’s a passionate rendition by Krsna, who has got strong vocals.
There is another version of the song Hey Rangrez Mere by none other than Wadali Brothers (Puranchand Wadali & Pyarelal Wadali). The song instantly grabs your attention because of the Sufi duo Wadali Brothers and like always they have delivered a power packed song with their brilliant vocals. A treat for the music aficionados!
The album adds another folksy gem with Piya crooned by Roop Kumar Rathod. This tender song floors us with Roop’s dramatic mix of amazing voice which gives the song a distinct romantic mood.
Now starts the battle between Kanpur and Delhi with Manu Bhaiya. The commonplace lyrics are almost graphic; you can go from Karol Bagh to Qutub Minar within seconds. The song is addictive because of its easy, rustic feel. If Sunidhi Chauhan gets to sing the entire song, the chorus has got the singers Ujjaini, Rakhi Chand, Vivek Naik, Manjeera and Niladri Debnath. Masses can easily relate to this track and that’s what makes it a winner in the album.
Mika makes us forget everything and sing the crackling number Jugni with him. Lyrics of the song in praise of a bold lassie are noteworthy, and make the song a fun to hear. To get into the groove listen to the song. Jugni naughty hai!
Tanu Weds Manu is not like the other Bollywood albums we get to hear now and then. The treatment of the film is different though it’s a masala comedy with cheerful faces and funny dialogues. The songs do full justice to the marriage and masti theme of the movie. There is nothing superfluous about the songs, they lack mush and don’t sound stiflingly romantic. But the diverse range of tracks has one similarity; all are earthy in feel and thus are very endearing.
Rahman, who has two nominations (Best Original Score and Best Song) for his work in Danny Boyle’s film 127 Hours will perform live the song ‘If I Rise’ along with Florence Welch. The song has already won praise from critics for its melancholic melody.
The big night would also see actress Gwyneth Paltrow performing the song ‘Coming Home’ from the film ‘Country Strong’.
Randy Newman will perform his nominated song “We Belong Together” from the animated film “Toy Story 3.”
Alan Menken, who is nominated for writing the music for “I See the Light” from the animated film ‘Tangled’, will accompany singers Mandy Moore and Zachary Levi on the piano.
Pics - Sonali Bendre, Gayatri Oberoi attend Zakir Hussain Concert:
Pics - Sonali Bendre, Gayatri Oberoi attend Zakir Hussain Concert
7 Khoon Maaf Music Review: Darrrrling…Vishal Bhardwaj returns with his acoustic treat in 7 Khoon Maaf. This powerhouse of talent is also a terrific music composer, that we all know. Nevertheless, this man never ceases to surprise himself as well as the audience when it comes to his films and their music.
Vishal gets his all-time hit and favourite Gulzar saab to pen the lyrics for 7 Khoon Maaf. Though the film is a murder-thriller, music buffs, including me, were not expecting much from the album. But if it’s Vishal and Gulzar, don’t we know it’s going to be a jewel of a music album. Oops! did we spill the beans!
Let’s cut to the chase straightaway. You are guaranteed to get hooked to Darling, the only song currently on promos, but you will be shocked to learn who has sung this incredible number? It’s Usha Uthup, who begins the song with Darrrrling and later the tangy voice of Rekha Bharadwaj takes the song forward. The song takes its time to build the tempo and hence drama. By the time it ends you are into it, drenched in its music. The song is reportedly inspired from the Russian chorus song Kalinka, but it’s not devoid of Indian or Bollywood feel. It won’t be less than an explosion when it comes alive on screen with the feisty Priyanka Chopra crooning this addictive number.
Another version of Darling is more dramatic and romantic in its mood. Rekha and Usha Uthup again get a chance to influence us with their dynamic vocals. Like the original, Doosri Darling is also a delight for your auditory senses.
It’s not always a female voice that entices and beguiles. Here is Vishal Bhardwaj singing Bekaaran and drifting you from this materialistic world to the other realm where only beauty holds meaning. The song, a quasi-ghazal soused in classical music and yet very contemporary, will lure with its beautiful, poetic lyrics. As Gulzar writes, aapko dekh kar bade der se meri sans ruki hai; the song also has same impact, it will take your breath way.
Next in the album is O’ Mama which can sound very disturbing after hearing the Darling and Bekaaran. But as 7 Khoon Maaf is a dark film, songs like this are justified even if its offbeat lyrics and haunting music spook us. But at the same time the song’s distressing mood and its lyrics sounds entertaining and truly rocks us. The O’Mama Acoustic is another version which is restrained and surreal. The small track of just one-and-half minutes, with just the guitar strumming in the background, can smooth your senses after the racy rock beats of the original O’Mama.
The album continues its melancholy strain with Awaara in the voice of Master Saleem which echoes the pathos of a wanderer, his fear of loneliness. Yes, it sounds very much like Albela Sajan from Hum Dil Chuke Sanam, but it’s just because of the raagas.
7 Khoon Maaf throws another shocker: after Usha Uthup you will listen to singer Suresh Wadkar in Tere Liye. This soft number is easy on the ears and is like a typical Vishal number apt for a quiet evening. A must-hear track with words like, Tere liye Kishmish chune, pistey chune, kaaju ke saude kiye. Make believe!!
After Dil Dil Dilli from No One Killed Jessica, it’s the turn of Dil Dil Hai. Yes both the songs rhyme and have got the same rock feel. This number is the only song of the album which lacks the spunk.
Susanna’s prayer Yeshu pierces your heart. She is alone, troubled and has no one to soothe her. Who else than Rekha Bhardwaj to sing this number which is not a church song or a religious one but defines the moment of crisis in the protagonist’s life; she is crying for help to God, yet complaining. The album ends in a serious, sad mood.
As said earlier, Vishal likes to surprise the music buffs and with the somber, dark numbers, he has done it again. Bewildered, we are not going to forgive him for this stupendous 7 Khoon Maaf album.
Let’s cut to the chase straightaway. You are guaranteed to get hooked to Darling, the only song currently on promos, but you will be shocked to learn who has sung this incredible number? It’s Usha Uthup, who begins the song with Darrrrling and later the tangy voice of Rekha Bharadwaj takes the song forward. The song takes its time to build the tempo and hence drama. By the time it ends you are into it, drenched in its music. The song is reportedly inspired from the Russian chorus song Kalinka, but it’s not devoid of Indian or Bollywood feel. It won’t be less than an explosion when it comes alive on screen with the feisty Priyanka Chopra crooning this addictive number.
Another version of Darling is more dramatic and romantic in its mood. Rekha and Usha Uthup again get a chance to influence us with their dynamic vocals. Like the original, Doosri Darling is also a delight for your auditory senses.
It’s not always a female voice that entices and beguiles. Here is Vishal Bhardwaj singing Bekaaran and drifting you from this materialistic world to the other realm where only beauty holds meaning. The song, a quasi-ghazal soused in classical music and yet very contemporary, will lure with its beautiful, poetic lyrics. As Gulzar writes, aapko dekh kar bade der se meri sans ruki hai; the song also has same impact, it will take your breath way.
Next in the album is O’ Mama which can sound very disturbing after hearing the Darling and Bekaaran. But as 7 Khoon Maaf is a dark film, songs like this are justified even if its offbeat lyrics and haunting music spook us. But at the same time the song’s distressing mood and its lyrics sounds entertaining and truly rocks us. The O’Mama Acoustic is another version which is restrained and surreal. The small track of just one-and-half minutes, with just the guitar strumming in the background, can smooth your senses after the racy rock beats of the original O’Mama.
The album continues its melancholy strain with Awaara in the voice of Master Saleem which echoes the pathos of a wanderer, his fear of loneliness. Yes, it sounds very much like Albela Sajan from Hum Dil Chuke Sanam, but it’s just because of the raagas.
7 Khoon Maaf throws another shocker: after Usha Uthup you will listen to singer Suresh Wadkar in Tere Liye. This soft number is easy on the ears and is like a typical Vishal number apt for a quiet evening. A must-hear track with words like, Tere liye Kishmish chune, pistey chune, kaaju ke saude kiye. Make believe!!
After Dil Dil Dilli from No One Killed Jessica, it’s the turn of Dil Dil Hai. Yes both the songs rhyme and have got the same rock feel. This number is the only song of the album which lacks the spunk.
Susanna’s prayer Yeshu pierces your heart. She is alone, troubled and has no one to soothe her. Who else than Rekha Bhardwaj to sing this number which is not a church song or a religious one but defines the moment of crisis in the protagonist’s life; she is crying for help to God, yet complaining. The album ends in a serious, sad mood.
As said earlier, Vishal likes to surprise the music buffs and with the somber, dark numbers, he has done it again. Bewildered, we are not going to forgive him for this stupendous 7 Khoon Maaf album.
Sung by Mamta Sharma and Aishwarya ‘Munni’ won the Best Song as well as Best Item Number, scoring a big-win for ‘Munni’ Malaika Arora over ‘Sheila’ Katrina Kaif.
The show was anchored by singers Shaan and Sonu Nigam who made the proceedings effortless and also showcased the comic side to their personality by pulling fast ones on themselves as well as their collegues from the industry. There were special acts by Shreya Ghoshal, Daler Mehendi, and Mika among others.
The Awards were decided by a high-powered jury comprising all the big names of the industry �" Padma Bhushan Javed Akhtar, was the jury chairman of the awards leading 14 illustrious members including Aadesh Shrivastava, Alka Yagnik, Anu Malik, Kailash Kher, Kavita Krishnamurthy, Lalit Pandit, Louiz Banks, Prasoon Joshi, Rakeysh Omprakash Mehra, Ramesh Sippy, Shankar Mahadevan, Sadhana Sargam, Subhash Ghai and Suresh Wadkar.
The sand-out performance of the night was from Bappi Lahiri, Usha Uthup and DJ Lloyd who electrified the stage with retro re-mixes of the evergreen I Am A Disco Dancer, Ramba Ho, Yaad Aa Raha Hhai, Nakabandi.
Actors Akshay Kumar, Anushka Sharma, Rishi Kapoor and Priyanka Chopra added some glam quotient to the show with their impromtu performances.
With songs like Munni and Tere Mast Mast Do Nain, Salman Khan’s Dabangg was the favourite to win at the awards and it did not disappoint.
The nominations for the 83rd Academy Awards were announced on Tuesday. The King’s Speech is the leading contender at this year’s Academy Awards with 12 nominations including nominations for best picture and acting honours for Colin Firth, Helena Bonham Carter and Geoffrey Rush.
Rahman’s last visit to the Oscars for Danny Boyle’s Slumdog Millionare landed him two Oscars, we hope that the winning team weaves their magic once again.
Directed by Danny Boyle 127 Hours is the true story of mountain climber Aron Ralston's remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. 127 Hours has received 6 nods, including the nomination for best picture and a best actor nomination for James Franco.
Kareena Kapoor in a new ‘Chhamak Challo’ avatar in ‘Ra.One’: We would say Chhamak Challo is her new 'item' name. Yes, after Sheila and Munni, get ready for Chhamak Challo! Kareena Kapoor’s new item song is from her first superhero, sci-fi film Ra.One where she is paired opposite Shahrukh Khan.
Kareena’s Chhamak Challo avatar required her to look toned and fit. The actress who is more into yoga than cardio went for a strict diet to get into shape with the help of her dietician Rujuta Diwekar. In fact, Kareena maintained the diet even when she was in Vegas shooting with Imran Khan for Short Term Shaadi.
See her look in the song; it’s more like a sexy Marathi mulgi reminding one of Madhuri Dixit’s look in superhit song Humko Aaj Kal Hai Intezar. If Chhamak Challo has beats by Akon to make you go numb, the dance moves are choreographed by the ace dancer Ganesh Hegde. Kareena herself claims that she has never done something like this.
See her look in the song; it’s more like a sexy Marathi mulgi reminding one of Madhuri Dixit’s look in superhit song Humko Aaj Kal Hai Intezar. If Chhamak Challo has beats by Akon to make you go numb, the dance moves are choreographed by the ace dancer Ganesh Hegde. Kareena herself claims that she has never done something like this.
And what these talents are?...you ask. Then let’s update you that besides being a terrific dancer, Yana is also into singing, playing the guitar and the flute.
So now, Yana is possessed with the thought of cutting a music album.
The buzz is that she’s already in talks with a UK-based company for the album.
But before that Yana is set to return to Jhalak Dikhlaa Jaa 4 as the wild card entry and hopes to perform better than she did before her elimination from the dance show. Not just that, she’s also shot an item song for an upcoming Bollywood film. If anything was left, Yana says she’s also eyeing a transition from being an item girl to an actress.
Looks like Yana is bent on milking the publicity she’s got from the panty-less stunt.
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